What’s teetering on the bedside bookstack this month.
The Bloody Chamber by Angela Carter, Vintage, 1979
Holy heck what are these stories and how have I never read Angela Carter before? High gothic, these stories are fairy tales without any of the froth or frosting. She takes familiar tales (Bluebeard, Red Riding Hood, Puss in Boots) as her starting point and then continues with the sex and violence which she believes was originally implied but omitted because of the young audience. This was a specific project, so I’m curious to read what else she has written and see if this is the exception or norm for her.
Trespasses by Louise Kennedy, Bloomsbury Circus, 2022
Cushla lives in the divided Belfast of the 1970s. She’s a Catholic school teacher but works in her family’s pub in a protestant area. Bombs, checkpoints, an army presence and divided communities are part of her daily life. When she starts having an affair with protestant barrister Michael Agnew, her life and loyalties are split even further.
This was a brilliant read with family, love and politics playing equal starring roles.
The Lessons by John Purcell, Fourth Estate, 2022
It was particularly hard to turn the light off at night or call time on my lunch break when I was reading this one. Starting in the sixties this beautiful book is about sexuality, class, creativity, power and the tangle people make of love.
Full disclosure, I know John from chats on Twitter. His literary knowledge is vast and astute. I love hearing what he’s reading and getting his suggestions. There are nods here to Hardy, Hemingway, Fitzgerald and Dickens and he did it so well that he also conquered one of my pet peeves – main characters who are writers. Here it didn’t feel lazy or like a chance to show-off. I loved the literary references and inclusions.
If you’re interested in structure, this it’s a great example of how to do multiple POVs (across time). He has chapters narrated by his main characters Jane, Daisy, Simon and Harry and it doesn’t feel cluttered or make you dizzy as you move from one to the next.
Will now have to get my hands on his first book, The Girl on the Page.
The Employees A workplace novel of the 22nd Century by Olga Ravn, Lolli Editions, 2020
A lot of rave reviews for this one. It was called experimental but I think it’s just scifi that’s being read by a non speculative-fiction audience. The first few pages just throw you right in there with no context. Apparently, I like more orientation from my narrative because I nearly abandoned ship. I’m glad I read on though, because the transcripts and testimonies from the staff aboard the six-thousand ship were quite beautiful despite the sometimes shocking and tragic events they narrated.
The six-thousand ship is crewed by humans and humanoids. After ’objects’ from the planet New Discovery are brought on the ship, things begin to change. The narrative is a series of interviews with employees about their emotional reactions to the objects and the new longings they have for their old planet. Their statements are a reflection on ideas of work, productivity, purpose, connection, memory and meaning.
Cold enough for snow by Jessica Au, Giramondo, 2022
I took a while to settle into the style of this book where all details are catalogued and it’s intensely internal with memories and thoughts. But after a while, it starts to feel meditative. Everything occurs at the same level whether it’s big or small.
A young woman travels through Japan with her mother. The distance between them is unsettling. I wanted it fixed, bridged by their time together. But that intimacy doesn’t match with everything that’s been revealed about both of them and probably says more about my desire for a mother-daughter relationship happy ending.
Fun House – A Family Tragicomic by Alison Bechdel, First Mariner Books, 2006
This graphic novel is the precursor to Alison Bechdel’s Are you my mother? Here, she’s looking at her father, their relationship, her discovery that he was gay and his suicide when she was in her early 20s.
In this graphic novel memoir, she openly likens the the events of her father’s life to written narratives perhaps trying to sift through the fictions herself. He is an English teacher who loves books and her mum is an actress, so there is an element of life playing out fictitiously. Sometimes it feels like you shouldn’t be reading this. It’s so personal and private…but also fascinating.
Beach Read by Emily Henry, Penguin, 2020
January believes in romance and writes women’s fiction. Gus is a cynic with a literary bestseller behind him. These old college classmates wind up living next to each other and set up a challenge to swap genres and hopefully change their current broke and bookless states.
Again, another book with my ol’ pet peeve, the main character as a writer set up. But it works here. There may have been be a few similes on steroids but there was also a fun story which did a very clever take on popular versus literary fiction, more often played out as ‘women’s fiction versus literary fiction’. How are there such ordinary rom-coms around when there are books like this just waiting to be turned into a script? Movie please someone!
In Moonland by Miles Allinson, Scribe, 2021
Joe’s dad drove his car into a tram stop. Joe wants to understand why and thinks that tracing his ashram days in India, in the 70s, might be the key.
This book takes you backwards and forwards in time through Joe, his dad and daughter. These soul-searching journeys sometimes snag me. People are trying to make sense of the past but ignore their family who need them in the present. So the story moves on but I’m I still back thinking about the women who look after the kids while all the soul-searching happens.
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