The bedside bookstack – September 2022

What’s teetering on the bedside bookstack this month.

The Bloody Chamber by Angela Carter, Vintage, 1979

Holy heck what are these stories and how have I never read Angela Carter before? High gothic, these stories are fairy tales without any of the froth or frosting. She takes familiar tales (Bluebeard, Red Riding Hood, Puss in Boots) as her starting point and then continues with the sex and violence which she believes was originally implied but omitted because of the young audience. This was a specific project, so I’m curious to read what else she has written and see if this is the exception or norm for her.

Trespasses by Louise Kennedy, Bloomsbury Circus, 2022

Cushla lives in the divided Belfast of the 1970s. She’s a Catholic school teacher but works in her family’s pub in a protestant area. Bombs, checkpoints, an army presence and divided communities are part of her daily life. When she starts having an affair with protestant barrister Michael Agnew, her life and loyalties are split even further.

This was a brilliant read with family, love and politics playing equal starring roles.

The Lessons by John Purcell, Fourth Estate, 2022

It was particularly hard to turn the light off at night or call time on my lunch break when I was reading this one. Starting in the sixties this beautiful book is about sexuality, class, creativity, power and the tangle people make of love.

Full disclosure, I know John from chats on Twitter. His literary knowledge is vast and astute. I love hearing what he’s reading and getting his suggestions. There are nods here to Hardy, Hemingway, Fitzgerald and Dickens and he did it so well that he also conquered one of my pet peeves – main characters who are writers. Here it didn’t feel lazy or like a chance to show-off. I loved the literary references and inclusions.

If you’re interested in structure, this it’s a great example of how to do multiple POVs (across time). He has chapters narrated by his main characters Jane, Daisy, Simon and Harry and it doesn’t feel cluttered or make you dizzy as you move from one to the next.

Will now have to get my hands on his first book, The Girl on the Page.

The Employees A workplace novel of the 22nd Century by Olga Ravn, Lolli Editions, 2020

A lot of rave reviews for this one. It was called experimental but I think it’s just scifi that’s being read by a non speculative-fiction audience. The first few pages just throw you right in there with no context. Apparently, I like more orientation from my narrative because I nearly abandoned ship. I’m glad I read on though, because the transcripts and testimonies from the staff aboard the six-thousand ship were quite beautiful despite the sometimes shocking and tragic events they narrated.

The six-thousand ship is crewed by humans and humanoids. After ’objects’ from the planet New Discovery are brought on the ship, things begin to change. The narrative is a series of interviews with employees about their emotional reactions to the objects and the new longings they have for their old planet. Their statements are a reflection on ideas of work, productivity, purpose, connection, memory and meaning.

Cold enough for snow by Jessica Au, Giramondo, 2022

I took a while to settle into the style of this book where all details are catalogued and it’s intensely internal with memories and thoughts. But after a while, it starts to feel meditative. Everything occurs at the same level whether it’s big or small.

A young woman travels through Japan with her mother. The distance between them is unsettling. I wanted it fixed, bridged by their time together. But that intimacy doesn’t match with everything that’s been revealed about both of them and probably says more about my desire for a mother-daughter relationship happy ending.

Fun House – A Family Tragicomic by Alison Bechdel, First Mariner Books, 2006

This graphic novel is the precursor to Alison Bechdel’s Are you my mother? Here, she’s looking at her father, their relationship, her discovery that he was gay and his suicide when she was in her early 20s.

In this graphic novel memoir, she openly likens the the events of her father’s life to written narratives perhaps trying to sift through the fictions herself.  He is an English teacher who loves books and her mum is an actress, so there is an element of life playing out fictitiously. Sometimes it feels like you shouldn’t be reading this. It’s so personal and private…but also fascinating.

Beach Read by Emily Henry, Penguin, 2020

January believes in romance and writes women’s fiction. Gus is a cynic with a literary bestseller behind him. These old college classmates wind up living next to each other and set up a challenge to swap genres and hopefully change their current broke and bookless states.

Again, another book with my ol’ pet peeve, the main character as a writer set up. But it works here. There may have been be a few similes on steroids but there was also a fun story which did a very clever take on popular versus literary fiction, more often played out as ‘women’s fiction versus literary fiction’. How are there such ordinary rom-coms around when there are books like this just waiting to be turned into a script? Movie please someone!

In Moonland by Miles Allinson, Scribe, 2021

Joe’s dad drove his car into a tram stop. Joe wants to understand why and thinks that tracing his ashram days in India, in the 70s, might be the key.

This book takes you backwards and forwards in time through Joe, his dad and daughter. These soul-searching journeys sometimes snag me. People are trying to make sense of the past but ignore their family who need them in the present. So the story moves on but I’m I still back thinking about the women who look after the kids while all the soul-searching happens.

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The bedside bookstack – July 2022

What’s teetering on the bedside bookstack this month

Still Life by Sarah Winman, Random House, 2021

I’m going to say it, I think this is a masterpiece. Book of the year, decade, maybe the Century thus far? Art is supposed to move you and I’ll feel the tremors of this book for a long time.

Still Life spans 30 years and moves from London to occupied Italy and France and then back to liberated Florence. During the war, young English soldier Ulysses Temper crosses paths with ageing art historian Evelyn Skinner. It sets off a chain of events that echo through the decades and change both of their lives. At its heart (and this book has just sooo much heart) it’s about love, art, war, family, Florence, food and Forster (E. M. that is).

I’m not doing it any justice. You’ll laugh and cry within a page. Just read it, read it, read it! But not too fast. These characters will stay with you. Savour and enjoy because saying goodbye to people that you love is never easy.

The Song of Achilles by Madeline Miller, Bloomsbury, 2011

I’ve never read the Odyssey, always intended to but it seemed like hard work. I also get very confused very quickly about all the players both mortal and immortal and apparently I’m not the only one, so Madeline Miller, Classics Professor, has taken the story of Achilles and written this gorgeous version for us in the modern world.

And somehow, I can keep track of the Kings and Goddesses with their eternal feuds and grudges. She fills in the background details seamlessly, not as speech-bubble asides but as an organic part of the narrative.

It’s a tale as old as time, love, war, pride, prophecy. We’re so used to happy endings that the chaos of the gods is sometimes hard to take but we love and lose within these pages as the prophecy always said we would.

Could. Not. Put. Down. Loved it. So glad that I read this 10 years after it came out, it meant I could move straight on to her next book Circe.  

Circe by Madeline Miller, Bloomsbury, 2018

Other attempts to read Greek mythology feel like a listing of lineage and I can’t hold the connections together but Madeline Miller slows it right down and sticks to the story of one player. Thus, all the other knowns, the heroes and immortals wash in and out and you can follow the links and legacies, the unions and betrayals. And for all the gods and their caprice, there is a timelessness to the themes, ideas of home, loyalty, inheritance, purpose, power, pride. It seems the gods share more with us than they think.

I loved that she brought a female goddess to the centre of the story and made the heroes and gods orbit around her journey for a change. Exile, motherhood, power and purpose, family, home, love, sacrifice. Circe lives it all in her eternity. She’s a fascinating character and it’s a pleasure to share her exile with her. And I guess now I just have to wait and hope that Madeline Miller will have something else out soon.

Such a Fun Age by Kiley Reid, Bloomsbury Circus, 2019

Such a great book! How did she do it? Kiley Reid gives us race relations in contemporary America with the moral ambiguity ratchetted up because race sits at the centre of it all, explosive and undiscussed.

Emira is twenty-something and drifting. She has multiple part-time jobs, one of which is babysitting for a wealthy white family. Things aren’t the same after she’s accused of kidnapping the child that she’s looking after.

This book is whip-smart and has no easy answers. There are parts that are a slow train wreck. You’ll laugh and cringe and have plenty to think about. It’s also not easy to have small children as narratives characters but the relationship between Emira and 3 year-old Briar is just so well done.

Are you my mother? By Alison Bechdel, Jonathon Cape, 2012

You may know the Bechdel test for film and tv? Or not, you can look it up on the link. Anyway, this is that Bechdel. This is the graphic-novel memoir about her relationship with her mother that came out when she was writing a memoir about her father and is really an access all-areas pass to her trying to figure out with her psychoanalyst and some help from Virginia Woolf, Donald Winnicott and Freud, among others, what the relationship is that she has with her. This is dark, visceral and about as honest as it gets. They’re both so fascinating and yet their dance is the familiar one of an unfulfilled parent who was constrained in her own way by society and her family who then can’t give their child what they need. And something about it in the graphic novel format lays it all the more bare. Humans, we’re fascinating, aren’t we?

People from my Neighbourhood by Hiromi Kawakami, Granta, 2020

This is a slim collection of linked short stories from one of Japan’s most popular contemporary novelists. She’s known for her offbeat literary fiction which I wasn’t aware of because I haven’t read her before. I’d agree. If you like your tales short and quirky with a touch of magic realism, then these are for you.

I love linked collections. I like the time-lapse of people and a place over the years. This starts as an old post-war neighbourhood not far from Tokyo.  It’s subject to the usual gentrification that comes with proximity to a big metro city. I like how the ghosts of some of these characters remain (both figuratively and literally) despite all the change.

Machines like me by Ian McEwan, Jonathan Cape, 2019

He likes a moral clusterf*#k, doesn’t he, ol’ Ian McEwan? And AI presents plenty of moral and ethical dilemnas that I’ve enjoyed watching in movies like Zoe and ExMachina. This book is an interesting set up with a love-triangle and questions of truth, justice and human unpredictability, contradictions and hypocrisy.

Charlie buys a new model AI called Adam. Adam falls in love with Miranda, Charlie’s girlfriend. Miranda’s lies have put someone in prison but she had her reasons. How does machine learning that is sentient interpret bad things done for a good reason? People doing wrong things for noble reasons and doing the right things for the wrong reasons is interesting territory and that’s where this book as it its best but I did a bit of skimming and skipping in this one. There was a lot of philosophising and background on AI and computer engineering that just took me too far from the narrative.

The Best of me by David Sedaris, Little, Brown, 2020

I love David Sedaris, so was very smug about settling into this tome of a collection. But then I skipped the first piece, the second, the third, read the fourth, skipped another three, read the next one…

I’m not a big skipper but I realised, I usually read his non-fiction. This collection has a lot of fiction that just didn’t hit the right note for me.

I think David Sedaris is at his best when he’s writing about himself and his family, so maybe go for one of his non-fiction collections instead – apart from Squirrel seeks Chipmunk of course, which is fiction and a whole lot of fun.

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The bedside bookstack – August 2021

What’s teetering on the bedside bookstack this August.

Hamnet by Maggie O’Farrell, Tinder Press, 2020

This divine book is a new favourite for me. The premise is the death of Shakespeare’s son Hamnet but the offering is way beyond that. It’s also about his wife and parents, his other children and extended family. This is a story about the plague, loyalty, parents and children, old lore and knowledge.

As a reader you are fully immersed. To be honest, I didn’t want to come up for air. As a writer, I was looking for clues. How is she doing this? How is she spinning this story into such a wonder? It’s one of the few present tense narrations that never felt affected. The POV was always a perfect match for the character at hand. Shakespeare actually has the least air play of everyone and in this story, that’s as it should be. This one will be a re-read for me and a re-re-read no doubt. I want an in on the alchemy at play.

After you’d gone by Maggie O’Farrell, Review 2001

I picked this straight up after finishing Hamnet and it was interesting to go from her first novel to her most recent. In between there was 20 years and another eight or so books.

She was already doing interesting things in this book, confident and assured enough to toggle back and forth in time and also from first-person to third-person without the awkwardness you might expect.

This is Alice Raikes’ story but it is also that of her mother and grandmother. One day Alice steps out into traffic. She is left in a coma and it’s uncertain whether it was intention or accident. The story circles back to where it all began and we see how the tangled threads of family history can still trip us up years later. Maggie O’Farrell is sooo good at her job.

Pachinko by Min Jin Lee, Head of Zeus, 2017

This has been sitting on the bookstack since I started the bookstack. It’s a total tome at over 500 pages and whenever I looked at it, I thought ‘too hard’. But if you don’t read a book like that in lockdown then you never will.

And it isn’t too hard at all. It was completely absorbing and exactly what I didn’t know it needed. It’s an epic that follows four generations of a Korean family in Japan from 1932 to 1989. By the end of it, you know them all so intimately. You’ve seen people scrimp and survive and you’ve seen babies grow up and have their own babies. The family offers such rich detail and dynamics but alongside that is the history and context of Korea and Japan. For Koreans in Japan, language, culture, status and identity remain a negotiation for every generation. 

Last Night by Mhairi McFarlane, Harper Collins, 2021

I’d never heard of Scottish writer Mhairi (pronounced Vah-Ree) McFarlane before but am happy to know she’s got a good-sized back catalogue cos I just devoured this book (lying in bed after my 2nd Pfizer vaccine).

Eve, Susie, Justin and Ed have been friends since high school. A sudden accident changes everything and brings old secrets and deep loss with it. Whip-smart, of the times and somehow able to orchestrate grief and a good humour without diminishing either. One of those books where I often found myself thinking, ‘Yes! Yes, that’s exactly how it is!’.

I demand that it be turned into a smart British rom-com immediately!

Car Crash by Lech Blaine, Black Inc., 2021

When Lech Blaine was 17, he survived a car crash that killed three of his friends. This memoir is about grief and depression and the toxic masculinity that disallows young men to feel them. There has always been such honesty and eloquence to his journalism and he brings this to his memoir as well.

 Before the crash he was a product of his own expectations of what sort of man he should be; I was totally beholden to a holy trinity of influences: Christianity, masculinity and capitalism.

Masculinity still hasn’t evolved as this year’s string of revelations from parliamentarians to school boys has shown. Put this on some reading lists, make it a high school text and we can hope that maybe it might.

The Spill by Imbi Neeme, Penguin, 2020

Sisters Nicole and Samantha aren’t exactly what you’d call close. Their family split a long time ago with Nicole and their Mum, Tina, on one side and Samantha, their father and whoever his current wife is on the other. No one wants it to be this way or stays civil long enough for it to be any different.

When their mum dies from liver failure, it’s finally time for the sisters to get answers from each other and the past. Spanning the decades and a fair stretch of Western Australia’s coastline this one is also good as a home grown read. Sometimes you just need to read about a climate that’s familiar and places you recognise. 

Lucky’s by Alex Pippos, Picador 2020

This is a sprawling family saga that crosses continents and generations. During what he thinks were his best years, Lucky owned a franchise of cafes all over Australia. They were usually run by Greeks, like Lucky, but the décor and menu were intentionally American. But times change, families split up and as an old man, Lucky wants to get back some of what he’s lost over the years.

At the same time Emily comes to Sydney chasing the ghost of her father and a commission for the New Yorker. She thinks that Lucky has answers for her and he hopes that her interest could be a final chance to change his luck. Like Pachinko, this is another one where you’re with the family long enough to see babies have babies and witness how the migrant dream changes with the next generation.

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The bedside bookstack – November 2020

What I’m reading and what’s gathering dust on the bedside bookstack this month.

Sisters by Daisy Johnson, Jonathon Cape 2020

By some random literary luck, I picked up three novels this month that could be loosely described as modern gothic. This one definitely felt like it was a firm fit for the genre. It was as compelling as it was unsettling and at times it felt like I was caught in the pages of a Henry James novel.

July and September are sisters. They’re a slim 9 months apart but their connection is more like twins. After an undisclosed event at school, their mother moves them away to a remote house owned by her ex-husband’s sister. The house has history for all of them but there is a sense of things closing in metaphorically rather than the freedom and release of being remote.

September, the older sister, has a ravenous love and control over July. And the mother, in her own fog of grief and depression fears September as a version of the violent husband who fathered her.

I read it a bit franticly, trying to keep up with the action and get to the final reveal. I read so fast that I was sure I was missing something important and wasn’t quite putting all the pieces together but I didn’t want to slow down and in the end it all comes out.

A warning that it’s always raining – everyone is always wet and muddy and cold. There’s a lot of stumbling around in the dark and I longed for some warm waterproof clothes and a few sunny days to dry everything out. Not very gothic of me, I know.

The Bass Rock by Evie Wyld, Vintage 2020

I think this book would have to be in my top five for 2020. I just loved it. It’s the second of my accidental gothic novels this month with parallel narratives about three women all linked by family, location and a haunting. The bristling and elemental Scottish coastline is very much a character too.

Violence and aggression against women is a common thread through these narratives from the extremes of stabbed bodies to the attrition of emotional manipulation and insistence.

There is the idea that these women aren’t to be trusted and so they doubt themselves when really, it’s the men in their lives who should be viewed suspiciously.

They’re often frozen by their own doubts about what’s going on and revert to the shamefully familiar thought -‘I shouldn’t make a big deal about it.”

This was a real ‘wow’ read for me.

Kim Jiyoung, Born 1982 by Cho Nam-Joo, Scribner 2020

Kim Jiyoung is the Korean every-woman. She’s named for the most popular girl’s name in that year. She is a normal girl with a normal family who follows the ‘normal’ path. Normal starts to unravel for her after having a baby when she briefly takes on the persona of other women in her life.

This book reads like a diary or catalogue. It lists, in a very understated way, the norms of Jiyoung’s life as a woman, especially a young one.

The preferential treatment of male siblings, classmates and colleagues made my blood boil. And the endemic misogyny in workplaces was a sobering reminder that things have only changed very recently and the fact that I tutted with recognition when I read it makes me wonder how much has actually changed.

Thank god this book was written and that a million copies have been bought breaking the code of ‘keeping quiet like a good girl’.

Sweetness and Light by Liam Pieper, Hamish Hamilton, 2020

I stayed up late last night to finish this one. It was a real page turner for me and should replace ‘The Beach’ as the definitive backpacker book. I liked the premise of an Australian expat in India who scams tourists in a beach town who then gets himself in too deep. Worlds collide when he runs into an American woman looking for a spiritual experience and a way to move on with her life.  

Anyone who has done any travel, especially backpacking, through south-east Asia, will love the familiarity of it all. Overnight trains, touts and tea stalls, seekers and surfers are all brought to life in a familiar but sometimes uncomfortable light.

I didn’t know how or where this one was going to end – which is a great thing and I recommend it as a perfect summer read.

Flyaway by Kathleen Jennings, Picado, 2020

This was the last of my accidental gothic trio of books this month and is by the very talented Kathleen Jennings whose gorgeous and other-worldly cut-paper silhouettes deserve their own mention.

But I digress…Bettina lives in the quiet rural town of Runagate with her mum. Her brothers and father have disappeared and there are rumours about strange creatures that have been sighted nearby.

I have to confess, I was very tired when I read this and was kind of unmoored from the start. I was never clear on when and where we were exactly and what was going on. It was described as part folk tale, part mystery, so there’s an intention for the reader to be unsettled and uncertain. They sure were for me.

The love of a good woman by Alice Munro, Vintage 1998

I picked this up at a garage sale and I love finds like this because they seem to arrive so serendipitously. I’d just been thinking I needed another Alice Munro on my shelf. I only have Dear Life thus far.

Haven’t read a word of it yet but am always happy for the bedside bookstack to have a few anthologies when I’m between books or just want a little slice of something. I’m sure I’ll get some in over the summer break.

Tools of Titans by Tim Ferriss, Vermilion 2016

This tome of a thing is sitting at the bottom of my bookstack. Not at all the kind of book I usually get, I bought it because of the eloquent recommendation that Katherine Colette gave it on the First Time Podcast.

The subtitle is: the tactics, routine and habits of billionaires, icons and world-class performers. So, there’s obviously going to be some interesting stuff in there but how and when to find it?

I already have another couple of writing/business books sitting around unread. The problem is that I do most of my reading at night and this is a ‘work’ book, so when am I going to choose that over the pleasure of a narrative?

Being realistic, it’s only going to get opened if I put it in as part of my working day.

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The bedside bookstack – September 2020

What I’m reading and what’s gathering dust on the bedside bookstack this month.

Educated by Tara Westover, Penguin, 2018

I couldn’t put this book down. It was me at the height of my voyeurism, gob-smacked at a glimpse into lives I can’t even imagine living. And that’s what books are for right, to take us somewhere else completely and allow us exposure into other pockets and corners of the world?

This is a memoir about growing up with a radical survivalist father, a violent brother and no formal education. It made me furious about these men who hold their family to ransom with their ideology and convictions and the social system that allows them to have that hold and sway over the people they love.

I’m so glad she wrote this so I could read it. But I always wonder about these translators, what is the cost in the end? She constantly weighs up the cost of splitting from her family which is huge enough but to then make that story public and for it to become a bestseller, I worry about the personal fall out.

Richard Fidler has a great chat with her on this Conversations episode.

In the Time of Foxes by Jo Lennan, Scribner, 2020

It wouldn’t be a bookstack without an anthology of short stories. These stories move from London to Wollongong to Moscow and even Mars. They follow people who are close but growing apart and strangers whose lives overlap even if it’s only for short time.

And always there’s the fox loosely linking one story to the next – as a painting on a wall, a personal characteristic or a real live animal digging up a backyard.

The End of the Ocean by Maja Lunde, Scribner, 2019

This is the first climate fiction book I’ve read and I didn’t even know that’s what it was when I borrowed it. What to say about this genre? It’s important but uncomfortable to read because the facts aren’t good and the future scenarios are even worse. I hate to admit but after reading the news and working all day, eternal drought and water shortage are a tough bedtime read.

However, once I got into it, I found that that characters and the story distracted me from the doom of their surroundings.

This is two concurrent stories, one in 2017 and the other in 2041. The present follows Norwegian activist Signe as she takes part in her final protest which is both personal and environmental. She sails on her boat – the same boat that David and his daughter find in 2041 as they search for family and a future in a dry landscape where anyone who is left is searching for the same things too.

I’m thinking of ending things by Iain Reid, Text Publishing, 2016

I don’t usually read books that are scary but I read a good review of this one and also saw that Charlie Kaufman had made a version of it for Netflix. It’s the insanely tense story of an unnamed narrator and her boyfriend, Jake, as they go to visit his parents in a remote rural town.

In between the chapters there is dialogue from locals alluding to a gruesome crime. The build up is creepy and everything is just a bit off. The visit to the parent’s farm is weird and then they get caught in a snowstorm on the way home.

I didn’t finish reading it. I do most of my reading at night and I got genuinely spooked. I did skip to the end though…in the daytime and I was confused. Reviewers of the Netflix series said a similar thing.

I’ll leave you to read it in full, piece it together and get back to me.

Upstream by Mary Oliver, Penguin Press, 2016

Who doesn’t need Mary Oliver and her words by their side at the moment?

This one’s still on my pile from the June bookstack, the July bookstack, the August bookstack and will likely remain there into the future. There are some books that stay on the stack not because they’ve been forgotten and are a ‘should’, but because their presence is a reassurance.

Upstream is a book of essays rather than her usual poetry and they are perfect to dip in and out of. Her poetic reflections always slow things down to a pace we’re probably meant to be moving at anyway.

Meditations by Marcus Aurelius, Penguin Books, 2004 (written sometime AD 121 – 180)

Will I ever read this book? This has been sitting at the bottom of the pile for a long time now. Even though I feel like I could and should be someone who reads Roman philosophy, it hasn’t happened thus far when I’m tired and have an o-so-finite reading window before I fall asleep.

I can’t quite give up on it yet though. I feel like there’s something in there for me, if I could just stay awake.

What to read and why by Francine Prose, Harper Perennial, 2018

Still haven’t read it, though my intentions from last month and the months before are the same:

When I read Francine Prose’s Reading like a writer, I fell even more in love with reading and writing. I walked away with a new list of recommended writers that I can’t believe I’d lived without, including Grace Paley and the Canadian short story writer Mavis Gallant.

I haven’t started this yet, but I’m hoping for the same sublime experience.

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10 Essay Collections for Can’t-Concentrate Readers

Rescue Reading for Troubled Times Part 5

This week’s rescue reading is suggested essay collections. Don’t worry, none of them will feel like homework. I’ve cast a wide net and there’s something for everyone with travel writers, food writers, ground-breakers, satirists, novelists and quiet observers.

If this doesn’t sound right for you try last week’s Men’s Mixed Bag of Male Short Story Writers, 10 female Australian short story writers you should read or 20th Century female short story writers.

The Details – On love, death and reading by Tegan Bennett Daylight, Scribner, 2020

And that’s exactly what this beautiful book of essays is about. She’s writing as a woman, a mother, a daughter, a reader and a writer and she’s so generous with us in what she shares whether it’s her mother’s last days, her love of Helen Garner or George Saunders or childbirth-related vaginal issues.

Her eloquence and intelligence are such a pleasure to read. There was no snacking on these essays. I devoured them in two nights. This one was also on my August bedside bookstack.

True Stories by Helen Garner, Text Publishing, 1996

This collection gathers together pieces she has written from over 25 years. The subject matter jumps from giving birth to visiting a morgue, to a school dance. But it doesn’t really matter what she writes about, it all turns to gold in her hands. I think this is her true gift, the ability to find moments we all recognise and hold them still for long enough to take in the complete picture.

She’s a joy to read and these pieces are short and thus perfect for rescue reading. I also love the inscription in my second-hand copy of this book: Christina, surround yourself with good friends, good music and good books!! Love Julie.

Her collection Everywhere I Look would be another good rescue reading recommendation.

The New Journalism edited by Tom Wolfe and E.W. Johnson, Picador, 1975

This collection is for anyone interested in how the essays and non-fiction we read today came to be such a varied bunch. New journalism was a step in the direction of creative non-fiction, using literary techniques to capture real events. There’s an extract from Truman Capote’s In Cold Blood as well as seminal pieces by Hunter S. Thompson, Joan Didion and Tom Wolfe.

Kitchen Confidential by Anthony Bourdain, Bloomsbury, 2000

It doesn’t matter how you feel about his food shows, the late Anthony Bourdain could write. These essays are a great read – pacy and perfect if you’re looking for something speedy but satisfying.

This book was like the New Journalism moment for food writing. Here was a chef-written page turner about sex, drugs and haute cuisine. He was unconventional and an insider and I’m glad I now know not to order the seafood special on a Sunday.

The Global Soul by Pico Iyer, Bloomsbury, 2000

I’m a big Pico Iyer fan. He’s my favourite travel writer. I think he has such gentle, generous and intelligent observations of the world and his restlessness and desire to seek out corners of the world is very satisfying for one’s own global curiosity.

This collection is subtitled jetlag, shopping malls and the search for home. It’s an accurate one-liner for what you’ll get in this collection.

Me Talk Pretty One Day by David Sedaris, Abacus, 2000

Actually, I could just as easily list any of his other collections. These are perfect if you’re looking for something lighter. They’re ridiculous, funny and short.

David Sedaris is a humourist who works his comic magic on ordinary moments. His observations and wit will be a welcome relief from the pandemic plod.

Known and Strange Things by Teju Cole, Faber, 2016

I’ve been dipping in and out of these pieces and get something completely different every time. Politics, photography, travel, history and literature are just some of the topics Teju Cole covers.

So far, I’ve gone from Kenyan coastal folklore to the poetry of Derek Walcott, portrait photography and drones. His curiosity and knowledge blend seemingly disparate ideas so that you’re never quite sure where he’ll lead you until you’re there.

This is the story of a happy marriage by Ann Patchett, Bloomsbury, 2013

It seems Ann Patchett can write non-fiction with just as much talent and flair as she does her fiction. This collection is definitely one for writers and readers who like to get the personal behind-the-scenes tour of a writer’s ideas and life. There are essays on how she wrote her first novel, book tours, opening an independent book shop and her obsession with opera which led to her novel Bel Canto.

Columbus’ Blindness and Other Essays edited by Cassandra Pybus, University of Queensland Press, 1994

This collection was my introduction to essays as a form to be read and enjoyed. As a writer, this was my first taste of essays beyond the high school classroom.

The titular essay has stayed with me all these years. It is written by that master of sentence-level perfection; Delia Falconer. It lays a period of unexplained illness that Christopher Columbus had on the return of his second journey against her father’s Alzheimer’s disease. Both are treated with her usual eloquence and it just blew my mind that such beauty was possible in an essay.

Best Australian Essays, Black Inc, 1998 – 2018

Obviously, a collection that has already curated the best of a bunch over a year should be added to the rescue reading list. The variety of topic, style and tone will keep things interesting and the choice of twenty years’ worth of back catalogue means you’ll always be covering new ground.

Some of these may be out of print or hard to find. You can find the closest library copy of a book, anywhere in the world, through world cat.

If you enjoyed this, keep an eye out on Twitter @ninakcullen and Facebook or subscribe to my newsletter below for blog updates.  

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Men’s mixed bag – 5 male short story writers to read

Rescue Reading for troubled times Part 4

A lot of us are feeling distracted and unable to concentrate at the moment. My Rescue Reading series has lists of suggested short works and collections. Previous posts have included 10 female Australian short story writers you should read and 20th Century female short story writers. This week it’s a mixed bag of male short story writers.

Of course, most people would start with Chandler or Cheever. But I’m going to start with Chekhov. 

Anton Chekhov – Lady with a Lap Dog and Other Stories, 1885-1899

Let’s start the list with a classic. What can you say about Chekhov? Doctor, writer, master observer. His characters feel as real now in their hopes, jealousies and betrayals as they were when he wrote them over a hundred years ago.

His ability to create comedy and tragedy within the same space is just one of the reasons his stories are worth reading. Apparently, after reading one of these stories, Gorky wrote to him that his own work seemed ‘coarse and written not with a pen but with a log.’ So, we’re all in agreement that he’s great at what he does!

Read, re-read and then read anything Francine Prose has to say about him in Reading like a writer and read them all again.

Rattawut Lapcharoensap – Sightseeing, Atlantic Books, 2004

It’s more than elephants, tourists and the sex industry. Some of these stories answer questions you may have had about what Thai locals think of the tourist influx to their islands and mainland. Others are universal in their subject but specific to Thailand in their setting. There’s a lot here about family and the bonds that bind them, both antagonistic and loving. Brothers growing apart, a father begrudgingly accepting his son’s help and a mother and son on holiday are just a few.

Junot Diaz – Drown, Faber and Faber 1996

These stories sling you straight into the jostle and vibe of Dominican communities from urban New Jersey to Santo Domingo barrios. They’re about family and friendship, love and territory, growing up and moving on.

Nothing flat or spare here. It’s all noise and colour and life. I promise that even the most distracted reader will be helpless to the pull of perpetual motion at work in these tales.

James Joyce – Dubliners, 1914

I’ve already mentioned in an earlier post that I attempted to read Ulysses and put it down in defeat. I’ve avoided Joyce since then. No need. This collection of short stories needs no more attention or concentration than any other on this list. It allows you a glimpse into what all the Joyce fuss is about. A few easy words and he’s created a character complete with their inadequacies.

There’s a lot about money and hardly anything about religion or politics. Make sure you’re warm when you read it, because it’s often wet and cold and no one has any money.

George Saunders – Pastoralia, Bloomsbury, 2000

Read Saunders for social realism in a parallel universe where people work fulltime as exhibits in a theme park, bodies come back from the dead and managerial-speak is the new vernacular. His stories seem to bring together the worst of the 20th and 21st Centuries in the best way. He’s clever, creative and always surprising.

Some of these may be out of print or hard to find. You can find the closest library copy of a book, anywhere in the world (I know, amazing right?), through world cat.

I’ll be posting more suggested anthologies and collections for short reading. Keep an eye out on Twitter @ninakcullen and Facebook or subscribe to my newsletter below for blog updates.  

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The bedside bookstack – August 2020

What I’m reading and what’s gathering dust on the bedside bookstack this month.

Metal Fish, Falling Snow by Cath Moore, Text, 2020

Full Disclosure, Cath Moore is my cousin and I’m so proud of her and her debut YA novel. It’s a magical-realist road trip and the ideas and themes sprawl the dusty distance that Dylan, the main character, has to travel. Identity and race, grief and loss, and family and connection are all part of her journey.

Moving words by someone who has experienced her own variations on these ideas. If you don’t trust me to be objective, have a look at what Kill Your Darlings, The Saturday Paper, and the Big Issue have to say.

Station Eleven by Emily St. John Mandel, Picador, 2014

Phwoar!!!!! What a read!! How do you mix a post pandemic civilisation storyline with tabloid lives and Shakespeare? And, how had I never heard anything about this book in the middle of a pandemic?

Current situation aside, this is a great book about how everything can change and some things stay exactly the same when humans are involved. Now I need to check her back-catalogue and see what else I’ve been missing.

The Details – On love, death and reading by Tegan Bennett Daylight, Scribner, 2020

And that’s exactly what the beautiful book of essays is about. She’s writing as a woman, a mother, a daughter, a reader and a writer and she’s so generous with us in what she shares whether it’s her mother’s last days, her love of Helen Garner or George Saunders (I bought the book below after reading her essay on him) or childbirth-related vaginal issues.

Her eloquence and intelligence are such a pleasure to read. There was no snacking on these essays. I devoured them in two nights.

Pastoralia by George Sanders, Bloomsbury, 2000

There’s certainly nothing I can say about George Saunders that hasn’t been said better in Tegan Bennett Daylight’s essay The worst that could happen.

Read Saunders for social realism in a parallel universe where people work fulltime as exhibits in a theme park, bodies come back from the dead and managerial-speak is a scary new vernacular. His stories seem to bring together the worst of the 20th and 21st Centuries in the best way. He’s clever, creative and always surprising.

Dyschronia by Jennifer Mills, Picador 2018

This is another story that takes our world and tilts what we know to be true. The sea recedes from a small coastal town and one of the residents has visions which have included an occurrence like this.

Jennifer Mills comes highly recommended and I haven’t read anything by her before but my copy of this one is pretty big and to be honest I probably should’ve started with her short story collection The Rest is Weight. I just need to get my hands on it.

The Dickens Boy by Thomas Keneally, Vintage Books, 2020

Charles Dickens had 10 children. He sent two of his sons to Australia to become gentleman farmers. Who knew? I didn’t but obviously Thomas Keneally knew something about it.

This book is about the youngest son, Plorn. He feels the fame and achievements of his father in stark contrast to his own inability to pass any exam or ‘apply himself’. His secret is that he’s never read one of his father’s books. 

Plorn tries to make something of himself in Australia, outside of his father’s shadow, but the colony is almost as obsessed with Dickens as the Mother Country and even boundary riders in solitary huts quote his father from books he pretends to know. 

A great read on its own but even better for the salient facts I learned about Dickens without having to read a biography.

Upstream by Mary Oliver, Penguin Press, 2016

Who doesn’t need Mary Oliver and her words by their side at the moment?

This one’s still on my pile from the June bookstack and the July bookstack and will likely remain there into the future. There are some books that stay on the stack not because they’ve been forgotten and are a ‘should’, but because their presence is a reassurance.

Upstream is a book of essays rather than her usual poetry and they are perfect to dip in and out of. Her poetic reflections always slow things down to a pace we’re probably meant to be moving at anyway.

Meditations by Marcus Aurelius, Penguin Books, 2004 (written sometime AD 121 – 180)

This has been sitting at the bottom of the pile for a long time now. Even though I feel like I could and should be someone who reads Roman philosophy, it hasn’t happened thus far when I’m tired and have an o-so-finite reading window before I fall asleep.

I recently came across a Brain Pickings piece on Zadie Smith’s new essays which were inspired by her encounters with Meditations. Is this a sign? Will knowing that Zadie made it through this book spur/shame me into action? We shall see.

What to read and why by Francine Prose, Harper Perennial, 2018

Still haven’t read it, though my intentions from last month are the same:

When I read Francine Prose’s Reading like a writer, I fell even more in love with reading and writing. I walked away with a new list of recommended writers that I can’t believe I’d lived without, including Grace Paley and the Canadian short story writer Mavis Gallant.

I haven’t started this yet, but I’m hoping for the same sublime experience.

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20th Century female short story writers you should read

Rescue Reading for troubled times Part 3

My Rescue Reading series is suggested short reads for people who want the bliss and escapism of words but can’t concentrate on anything beyond a few pages.

Rescue Reading Part 2 was 10 female Australian short story writers you should read.

Part 3 is a list of 20th Century female short stories writers. Some of them are pioneers of the form. All of them are interesting to read and if we read them enough, we might replace the tendency to think of the big-names of the genre as male.

Mavis Gallant – Collected Stories

Mavis Gallant is a Canadian writer. I went all in and have a giant doorstopper of collected works that I slowly worked through over a year. She spans such varied eras and landscapes but really settles in with post-war Europe.

My brief sentences don’t do her range and sympathies any justice, so I’ll let the eloquence of Francine Prose do the talking. “There’s a light voice on the surface that you can very easily slip beneath, and it’s so deep and where she’s going is so profound.”

Zora Neale Hurston – Hitting a Straight Lick with a Crooked Stick

Zora Neale Hurston wrote from the 1920s. She was the only African American student at a New York university and during that time became part of the Harlem Renaissance. 8 of the stories here are ‘lost’ from that time.

She also worked as an anthropologist and the story is that she packed a pistol together with her notepads, so she sounds as feisty and no-nonsense as her female characters who take on race and relationships and try to even their odds. Some of the stories are written in a vernacular that adds a cadence to their narrative.

Lucia Berlin – A Manual for Cleaning Women

She’s a new addition to the canon of female short story writers. She wrote for years, but this collection, which was published a couple of years ago, has brought her to a wider audience. I’m one of those grateful recent readers.

Read. This. Collection. She has a vast range and is bold with style and brave with content. Could definitely be categorised as ‘before her time’ writing, among many other things, about single parenthood, addiction and the taboo of female desire and seduction.

Elizabeth Bowen – Collected Stories

I have a brick of a book that is her collected stories. They can feel almost genteel to read (she was born in Ireland and lived in England) but then you get to one like The Working Party where a hostess desperately tries to hide the dead body of one of her staff because it’s finally her turn to have the local ladies over for tea.

She liked to peek under the lid of all that etiquette and respectability. A lot of her stories are set in London during the Second World War.

Grace Paley – Collected Stories

Grace Paley is another feisty one. She was a writer, teacher and activist and that intensity and passion is there in her stories. She’s at home with the ordinary lives, loves and losses of the common people. Her stories span the 1950s to the 1980s, definitely interesting for the modern reader considering the eras of social change.

This is a current constant in my bedside bookstack and I work through it slowly one story at a time. Check out my earlier bookstack post for some of my favourite quotes.

Alice Munro

Does she sneak in as a 20th Century writer? She crosses into the 21st Century but I think she’s been so influential on the form that I’m including her on this list. She won a Nobel for her short stories for crying out loud!

What can I say about Alice Munro that hasn’t been said before? She’s been at it for years, charting our small lives in just-enough words. We skate along with the narrative of her economical prose and there it is all along, what lies beneath.

Lithub has put together a list of 25 of her stories that you can read online.

Katherine Mansfield – In a German Pension

Katherine Mansfield was a New Zealand writer and another one who straddles two centuries (this time 19th and 20th) – even more reason to include her because she was writing as a woman and across topics that weren’t usual for the time. Her writing has also influenced what we think of a modern short story, so take that Hemingway.

Her stories and characters sometimes feel like psychological studies where characters are so tightly wound that the smallest vibration will set everything off. Some people feel her stories read a bit cool or stilted. I think it’s always interesting to see what people have been doing with the form over time. In a German Pension is a good place to start, but probably has a lighter touch than her later work.

Dorothy Parker – Collected Stories

Dorothy Parker is famous for her wit and wisecracks. She was a staff writer at The New Yorker and no one was safe in her reviews and essays.

Her stories are clever but where a one-liner is a quick hit, these carry bruises and have a sadder tone. For all the new freedoms of the age, women were still at the mercy of the men around them; for money, acknowledgement, access to power. If you’re looking for a light read, don’t start here. This is an honest take on mental health in the jazz era.

Shirley Jackson – The Lottery and Other Stories

I’ll fess up that I haven’t read any of her collections. I’ve read her novels and I’ve read her still-gives-me-goosebumps short story The Lottery. It’s her most famous story and I won’t say much for fear of spoiling it.

Shirley Jackson is way ahead of her time. Everything should be normal in her stories but it’s all just a bit off. She leaves an eerie and haunted residue on her pages that is part unnerving and part thrilling. Read The Lottery at the very least. You can read it or hear A.M. Homes reading it for the New Yorker.

Do you love your 20th Century shorts? Let me know any other suggestions you have for collections by 20th Century female short story writers.

I’ll be posting more suggested anthologies and collections for short reading over the next few weeks. Keep an eye out on Twitter @ninakcullen and Facebook or subscribe to my newsletter below for updates.  

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The bedside book stack – July 2020

What I’m reading and what’s gathering dust on the bedside bookstack this month.

Actress by Anne Enright, Jonathon Cape, 2020

I’ll confess straight up that I come to Anne Enright books thinking she can’t do much wrong. Nothing written by her will ever stay on my pile for long and Actress, her most recent book, was no different.

Actress is narrated by Norah, the daughter of fictional Irish theatre legend Katherine O’Dell. It covers public and private lives, the bond between a mother and daughter and secrets so heavy they tug loose the knots of mental health.

Here’s Norah in the opening pages trying to recall for us what it was like to have a famous mother, something she’s been asked her whole life:

What can I say? When she ate toast and marmalade, she was like anyone else eating toast and marmalade, though the line between lip and skin, whatever that is called, is very precise, even when you are not seeing it on a cinema screen, twelve feet long.

Portable Curiosities by Julie Koh, University of Queensland Press, 2016

Julie Koh’s debut full-length short story anthology is a wild world of satire re-imagined. My favourite story so far, Sight, gives a good idea of what to expect. Our narrator, China Doll, has regular conversations with the enigmatic Tattoo Man. China Doll has a third eye located in her stomach (her sister used to have one on her left shoulder). Her mum arranges for it to be surgically removed but not before China Doll has a chance to meet the brother who never came home from hospital…in lizard form.

The Animals in that Country by Laura Jean McKay, Scribe, 2020

This is a book about a pandemic, written before COVID-19 and released on its cusp. You decide if reading a pandemic book during a pandemic is a good idea or not. If not, get it for later because Zoo Flu and the chaos that comes with it makes a great story.

Victims who catch Zoo Flu understand the language of animals. First, they can hear mammals, then birds, fish and insects. When the voices become unstoppable people either try to kill them or commune with them.

Laura Jean McKay has really done her research, to make something so extreme and unthinkable feel this believable.

Flames by Robbie Arnott, Text Publishing, 2018

If you read my previous post about how this book offers something for readers and even more for writers, you’d know that Flames was a bit of a WOW read for me.

It’s bold and unpredictable and capable of the leaps it makes from magic realism to epistolary form on to straight narrative and then back again. Somehow it all works, even when a water rat and fire are given their own chapters to narrate.

You’ll find more details about the premise and story in my previous post.

The List by Patricia Forde, Affirm Press, 2018

A dystopian YA read. In the City of Ark, everyone must speak List, the language of 500 controlled (and apparently harmless enough) words. As an apprentice wordsmith, Letta’s job allows her to read and record all words that existed. But she and the Wordsmith are asked to shorten the list even more.

This is an interesting look at language, censorship, global warming and the power of words to do the best and worst of our bidding.

Cherry Beach by Laura McPhee-Browne, Text Publishing, 2020

Another debut but this time only published at the beginning of this year. Laura Mc Phee-Browne’s Cherry Beach is set in Toronto, Canada.

It’s supposed to be the usual rite-of-passage gap year but childhood friends Hetty and Ness have a history, dependence and love (partially unrequited on one side) that isn’t so straightforward. The new environment is initially liberation for Hetty and loneliness for Ness but as that changes so does their friendship.

Upstream by Mary Oliver, Penguin Press, 2016

This one’s still on my pile from the June bookstack and will likely remain there into the future. There are some books that stay there not because they’ve been forgotten and are a ‘should’ but because their presence is a reassurance.

Upstream is a book of essays rather than her usual poetry and they are perfect to dip in and out of. Her poetic reflections always slow things down to a pace we’re probably meant to be moving at anyway.

The Collected Stories by Grace Paley, Farrar, Strauss and Giroux, 2007

Another one from the June bookstack. As I mentioned there, I read these stories on a slow drip feed, in-between novels and whatever else I have on the go, so that she’ll be with me for the long haul.

She’s so ballsy and vocal. It’s always a pleasure her pick up.

What to read and why by Francine Prose, Harper Perennial, 2018

Still haven’t read it, though my intentions from last month are the same:

When I read Francine Prose’s Reading like a writer, I fell even more in love with reading and writing. I walked away with a new list of recommended writers that I can’t believe I’d lived without, including Grace Paley and the Canadian short story writer Mavis Gallant.

I haven’t started this yet, but I’m hoping for the same sublime experience.

Meditations by Marcus Aurelius, Penguin Books, 2004 (written sometime AD 121 – 180)

This has moved from the penultimate bottom of my pile to the very bottom (I took out Doris Lessing’s Memoirs of a Survivor after giving it another go and just not feeling it).

Even though I feel like I could and should be someone who reads Roman philosophy, it doesn’t look like it’ll happen when I’m tired and have an o-so-finite reading window before I fall asleep.

Still, I live in hope and it’s doing no one any harm sitting quietly at the bottom of the pile. For someone who has read it, and inspired me to buy it, check out Maria Popova’s beautiful piece in brainpickings.