What’s sitting on the bedside bookstack this month.
It’s more a small collection than bookstack this month. I need to get onto research for my manuscript and had to put a ban on novels because I just wasn’t getting the research reading done. But one cannot live on obligatory reading alone, so there are also some essays and interviews I’m including.
Beside Myself – An Actor’s Life by Antony Sher, Nick Hern Books, 2001
The main character in my manuscript is an actor, thus the multiple actor autobiographies I’m reading. This one has a lot about Sher’s early life in South Africa, his family dynamics and their formative nature. He had a distant father who never seemed to understand who he was and a mother who always championed him and believed he was destined for greatness.
I’m always curious about people’s emotional excavations into who they are and how they got to be that way but for my purposes, the real gold was in his detail about productions. It’s fascinating the fragile ecosystem that exists within this web of people brought together so intensely for a period of time. I also loved reading about the emotional preparation for his roles, how some of them fit and others never quite worked.
A lot of his work was with the Royal Shakespeare Company, so it was also a refresher on plays I hadn’t read in decades and an insight into others which I’d never read or seen staged.
Shakespeare – The Man who Pays the Rent by Judi Dench, Michael Joseph, 2023
Continuing on with Shakespeare is Judi Dench’s book which is an extended and ongoing interview with actor and director Brendan O’Hea. If Shakespeare doesn’t interest you, then move on because the title gives it away.
This is two people who know and love their stuff asking all the right questions and giving the answers that you can after a professional acting life that has spanned decades. Again, the detail and deconstruction that is needed by the actor when playing a character is incredible to read about and gives me a much deeper understanding of the texts.
Dear Life by Alice Munro, Vintage, 2012
Alice Munro died this month and so in honour of one of the greatest modern short story writers, I had to pull a collection out in memoriam. What is there to say? She’s measured and quiet in tone but there’s nothing empty about her stories. There is always much more going on under the surface and she’s a great witness to life’s contradictions and unpredictability. After this reminder, it’s time to go back to some of her earlier collections which I haven’t read yet.
Paris Review articles on Alice Munro
The Paris Review is famous for its interview series with writers The Art of Fiction. These are extended interviews written out in complete question and answer format. For a limited time the Alice Munro – Art of Fiction 137 interview is available for all to read.
The Paris Review also wrote an obituary for her What a Goddam Writer She Was as well as an essay Inside Alice Munro’s Notebooks.
Jenny Erpenbeck on the Death of her Mother, Granta
I’ve also been thinking about Jenny Erpenbeck’s personal essay in Granta Open Book-keeping ever since I read it.
She writes about her mother’s death and then in detached but loaded detail continues with the bureaucracy you need to deal with after someone dies. It’s a lot of work to finalise someone’s life and though the person isn’t left, their ‘things’ still are.
This resonated with me because my mum has recently gone into residential aged care and I’m going up and down between Newcastle and Sydney slowly clearing her place out with my brother and sister. There’s a lot to discover about a person you only knew as a parent and plenty of decisions about ‘things’ and ‘stuff’, what matters and means something and does that then mean you have to keep it.
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Nina Cullen 