It’s time to reassess the prescription when the anxiety of all your unread subscriptions overtakes the pleasure of actually reading them.
I’m way over-subscribed. There are so many great magazines, journals and newspapers whose writing I love and who need readers and subscribers. But for the past few years, and this year in particular, they’ve just piled up next to my bed. They don’t get mentioned in my monthly bedside bookstacks, because they don’t get read.
There’s a novel, whose title I can’t remember, about the editor of an English-language newspaper on the continent. My recall of exact plot details is as uncertain as my memory of the title (but that’s for another post and apparently something that Helen Garner and I have in common) but I think the owner of the paper is dead. His widow is still alive and here’s the part I do remember; she has a copy of every issue stacked up in her house and is slowly working her way through and reading them.
She’s years behind but just keeps ploughing on through them. It’s the only part of the book which has stayed with me, because sometimes I feel like that. My pile is more varied but the slog of ever getting through it, once it’s so big, just feels like a chore and obligation.
I have an early association about newspapers which still shadows how I treat these subscriptions. I seem to think that you have to read everything. Yes, that’s every article in order of the pages, regardless of whether it engages you or not. No one told me I had to do it like that but I was definitely shocked when I found out that most people were skipping around the pages based on what interested them.
This year all I wanted was fiction. I think my news capacity was filled with COVID-19 updates and all the ensuing fallout.
I’ve subscribed to the Monthly for around 20 years because I think it’s got some of Australia’s best journalism in it. After this year’s issues slowly stacked higher, I finally went through them two weeks ago. And the only way to get through the backlog is to pick and choose what you read. It still feels like a novel concept. I stopped my previous subscriptions to The Saturday Paper and Harpers after a couple of years because I hadn’t caught onto the skip and select method yet.
I got a gift subscription to Audrey Daybook (now Mindful Puzzles). It has the most gorgeous graphics and a mix of articles and puzzles but until my time has more realistic slots for a cup of tea and some time out, I won’t be renewing it.
I also have a subscription to Australian Book Review and Island because I think at any time, a writer should support at least one of the publications they submit to. I usually share my literary journal subscriptions around and over the years have had subscriptions to Westerly, the Lifted Brow, Overland, Meanjin, the Griffith Review and Granta. All of these are great journals with some great writing that are worth checking out, but my rule now is, one at a time.
I still love a subscription arriving in the mail. I love the flick of the pages and the tease of a front cover. I also think it’s important to support writing, especially in local publications. But the anxiety I get as my unread pile grows and the sense of obligation I then associate with getting through it, doesn’t make a lot of sense. It also hasn’t been a year of financial bounty.
So, I’m going to keep it simple for next year and stick to two subscriptions; one newsy and one creative. And if one of them is quarterly rather than monthly and I remember that it’s OK to skip or skim, then I won’t get buried in the backlog.
…..and if anyone knows the name of the novel I can’t remember, please let me know.
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