Sometimes it’s the writer who is revealed rather than their characters when you read short stories in succession.
I’m a big fan of short stories, reading and writing them. My bedside bookstack and rescue reading posts are testament to that.
There are plenty of reasons I love short stories, but one of the unexpected outcomes of reading lots of them is suddenly realising that you now know a lot more about the author than perhaps they thought they were telling you.
Writers tend to circle around similar ideas and questions in their body of work. When you read a novel, it isn’t so obvious because it might be years until you read another book by the same author. But when you read short stories side-by-side, and especially if you read a ‘collected works’ which covers a lifetime of writing, you start to see the same things recurring again and again; adolescent insecurity that lasts into adulthood, a longing for mothers to be more maternal, fathers who are unreliable, people who try and create their family outside of their bloodline. These are a few I’ve picked up on in recent readings.
Initially, it felt a bit underhand, like seeing someone undressed through a crack in the door. But writers write to make sense of things as well as to be seen. That’s where the fear and the vulnerability is.
I like seeing into other people’s lives. I’d like to find a nicer word than nosy, so it doesn’t feel so intrusive. Inquisitive perhaps? I’m endlessly curious about what motivates people, what’s formed them and causes them to act and see the world the way that they do. I’d be just as happy to find out if they told me directly but people aren’t always forthcoming about their internal worlds or even so reflective. So, I love it when they reveal themselves and what they’re trying to work out through the stories they write.
I’m in good company here. In a recent episode of The First Time Podcast, short story writer Laura Elvery (Ordinary Matter) talks about liking single-author collections for this reason. She also mentions American short story writer Laura van den Berg who says that she likes it when reading short stories feels like roaming around a house where there’s a new discovery about the author with every story.
As someone who’s currently working on a collection of short stories, I wonder exactly what it is that I’ll be revealing to readers.
Is this something you’ve noticed when you read collections?
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2 thoughts on “The Secrets Submerged in Single-Author Short Story Collections”
Hi Nina, this is such an interesting reflection on short story collections, and one that makes me very nervous (what will my collection reveal about me, aaargh!). Now that you mention it, there are often recurring themes, although some writers seem to reveal more than others in this regard.
I, too, am endlessly nosy … I mean, curious 🙂
I’m excited to know you’re writing a short story collection and look forward to reading it when it is published.
Thanks. I really noticed it when I read the Mavis Gallant Collected Stories. I think before that, I hadn’t read a whole lifetime’s worth of stories back-to-back. As I said, I really felt like I’d been caught peeping. Do you have a collection out now or work in progress?